Rabu, 26 Januari 2011

[J324.Ebook] Get Free Ebook Give Me Your Heart, by Joyce Carol Oates

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Give Me Your Heart, by Joyce Carol Oates

Give Me Your Heart, by Joyce Carol Oates



Give Me Your Heart, by Joyce Carol Oates

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Give Me Your Heart, by Joyce Carol Oates

“Haunting . . . Written in the author’s classic, clear style, these narratives enchant.”—Boston Globe

The need for love—obsessive, self-destructive, unpredictable—takes us to forbidden places, as in the chilling world of Give Me Your Heart, a new collection of stories by the inimitable Joyce Carol Oates. In ten razor-sharp stories, children veer beyond their parents’ control, wives and husbands wake up to find that they hardly know each other, haunted pasts intrude upon uncertain futures, and those who bring us the most harm may be the nearest at hand.

“Dread, in fiction, can be a magnificent thing . . . Oates isn’t writing horror fiction, but she might as well be. Her stories pack the same kind of visceral wallop.”—Los Angeles Times

  • Sales Rank: #1490963 in Books
  • Published on: 2012-01-17
  • Released on: 2016-04-13
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .68" w x 5.25" l, .55 pounds
  • Binding: Paperback
  • 272 pages

From Publishers Weekly
The heart is a lonely hunter, and it also is vengeful, untrusting, and cruel, as Oates (The Female of the Species) proves in this fine collection of 10 tightly focused tales about love and its aftermath. In the epistolary title story, a young woman writing after many years to her alleged abuser, a biblical scholar, inspires sympathy at first, but a very different emotion by the end. Hidden snapshots propel a man into obsession about his wife's past in "The First Husband." The ambiguous memories of a woman with a history of drug and mental problems build to a crescendo in "Smother." A 13-year-old girl finds her resolve when she's the only female with a group of drunken, threatening men in "Strip Poker." A na�ve college student's attempt to help a nine-year-old girl goes horribly wrong in "Bleeed." Each story shows the power of Oates's never-ending clear, clean prose. (Jan.)
(c) Copyright PWxyz, LLC. All rights reserved.

Review
Oates can tell a story in one liquid throw, like a cowgirl uncoiling a rope... A born writer, silky fluent and intimate Sunday Times Suspense fiction is like a powerful drug: one page, one taste, can induce such a tingly, speedy feeling that it takes an almost superhuman effort not to finish everything off in just one sitting. At least that is how it is with Joyce Carol Oates... you cannot put [her] book down. New York Times Book Review Joyce Carol Oates is a genius Guardian Violence forever simmers beneath the surface of [Oates's] fiction... few American writers can match her for unsettling intensity and insight. Sunday Times As ever, Oates shows a perfect ear for everyday speech and the longings of people who might never have a chance.' Scotsman Her prose is peerless. few writers move so effortlessly from the Gothic tale to the psychological thriller to the epic family saga to the lyrical novella. Even fewer authors can so compellingly and entertainingly tell a story Scotland on Sunday This latest collection of stories leads us deeper into the chambers of Oates's sinister mind... Give Me Your Heart is electrifying in its range and its sizzling nastiness. Scottish Sunday Herald Unsettling? Yes. Brilliant? Undeniably. DIVA Powerful narratives... further evidence, as if it were needed, of the tremendous versatility of this author. Daily Mail For a writer as formidably prolific as she is, it is remarkable that the stories here have a freshness and versatility that leave the reader wanting more. Times Literary Supplement Joyce Carol Oates at 72 remains one of America's most prolific writers, churning out fluent prose and poetry with enviable regularity. There's a lot of it in print and a little goes a long way. Evening Standard A writer at the height of her powers, Joyce Carol Oates takes a shiver of an incident by the scruff of its neck, and dazzles. -- Deborah Lawrenson

From the Back Cover
“Haunting . . . Written in the author’s classic, clear style, these narratives enchant.”—Boston Globe

The need for love—obsessive, self-destructive, unpredictable—takes us to forbidden places, as in the chilling world of Give Me Your Heart, a new collection of stories by the inimitable Joyce Carol Oates. In ten razor-sharp stories, children veer beyond their parents’ control, wives and husbands wake up to find that they hardly know each other, haunted pasts intrude upon uncertain futures, and those who bring us the most harm may be the nearest at hand.

“Dread, in fiction, can be a magnificent thing . . . Oates isn’t writing horror fiction, but she might as well be. Her stories pack the same kind of visceral wallop.”—Los Angeles Times

JOYCE CAROL OATES is the recipient of the PEN/Malamud Award for Excellence in Short Fiction and the winner of the National Book Award. Among her major works are We Were the Mulvaneys, Blonde, The Falls, and, under the imprint of Otto Penzler, Rape: A Love Story, Beasts, The Female of the Species, and The Museum of Dr. Moses.

Most helpful customer reviews

8 of 9 people found the following review helpful.
Horror Stories Without Any Element of the Supernatural
By Fairbanks Reader - Bonnie Brody
Give Me Your Heart, the newest collection of short stories by Joyce Carol Oates, shimmers with violence, actual or imagined. Reading these stories is like hearing footsteps in your home when you know you're the only one there. They're like seeing something impossible out of the corner of your eye and being sure that you've seen it no matter what your rational self tells you. The stories make your heart race and your eyes open wide in horror. They do not come to us gently. Joyce Carol Oates grabs the reader and pulls him into her unique vision where fear, panic, tension, death, love and murder prevail, often simultaneously. These are horror stories without any element of the super-natural. She's the real McCoy of this genre.

This collection contains ten stories, many of them about the dark side of needing love. In `Give Me Your Heart', we hear an ex-lover rant about wanting her lover's heart - actually and metaphorically. We listen to her as she goes more and more around the bend. In `Split/Brain', Trudy Gould has been caretaker for her ill husband day and night, spending all her time at the hospital. One day, he demands that she return home to get a journal that he forgot. When she arrives at her home, she recognizes her sister's car parked there and imagines her troubled, drug-addled and violent nephew in her house. She plays out this scenario in head: she either enters the house and is killed by her nephew or she turns and leaves. What will her choice be?

Some of these stories deal with the obsessive character of love or the feeling that you don't really know the person you love. In `The First Husband', a married man stumbles across photos of his wife with her first husband. He can't get over his jealousy and believes that his wife is hiding something from him. He becomes obsessed with her first husband and this leads to tragic consequences.

The theme that love is dangerous is apparent in almost every story. In `Strip Poker', a group of older men in their twenties get a fourteen year-old girl to go with them to their lake cabin. They get her drunk and play strip poker with her. The game is tense and on the verge of becoming dangerous. How the girl turns events to her favor is a joy to behold in all its poignancy. In `Smothered', a troubled woman with a history of drug addiction and rootlessness has recovered memories of her parents smothering and killing a baby girl. This memory is part of a sensational murder case that occurred in 1974. The smothered child was never identified and the murderer was never found. When the police come to question the woman's mother, she is shocked. The memory appears to be part of a drug-addled incident in the daughter's teen-aged years. However, the mother feels torn and betrayed as this is just another way her estranged daughter has turned against her.

Sometimes, the most dangerous person is the one that is closest to you. In `The Spill', John Henry is what we'd now call developmentally disabled or chronically mentally ill. When he is an adolescent, he is brought to live at his uncle's home as his mother can no longer handle him. It is 1951 and there is no such thing as special education in the rural Adirondacks where this story takes place. John Henry, after repeating fourth grade, is told he can't return to school. His uncle has him doing difficult farm chores all day. His aunt Lizabeta has a special connection with John Henry while also being very leery of him with her own children. Her emotions start to get twisted up inside her.

`Bleed' is my favorite story in the collection. A boy evolves from closeness with his parents to distance. He leaves his childhood behind him. This is due to two distinct incidents, both involving child abductions and rapes. His parents question him about these incidents, of which he has no knowledge. However, these images continue to haunt him and, as a young man, he finds himself caught up in a nightmare situation consisting of rape and abduction.

These are not stories for the fragile or weak-hearted among us. They are all scary and they all play on our visceral fears and nightmares. Joyce Carol Oates is a master of this. She understands those things we all fear, the nightmares that are common to us all. That these stories do not contain elements of the super-natural is not comforting. It makes them all the more frightening.

4 of 4 people found the following review helpful.
Well crafted, entertaining, and disturbing stories from a short story master
By G. Dawson
Joyce Carol Oates is a master of the short story form, and the stories in this collection are well crafted, entertaining, and disturbing. The subtitle of this collection--"Tales of Mystery and Suspense"--is a bit misleading, however. Yes, many of these stories are suspenseful and most of them have an ominous or mysterious tone, but these are not conventional mystery stories. In many of the stories (including Split/Brain, Strip Poker, Nowhere, Bleeed), the protagonist finds himself or herself in a precarious situation, and the suspense is linked to whether the protagonist will be able to extricate himself/herself from that situation. Other stories track the actions of an unhinged individual (Give Me Your Heart, The Spill), and the suspense is tied to what actions the protagonist commits. Sexual crimes and other forms of violence play a large role in most of these stories, and many of the protagonists are young people caught in compromising positions. While these stories are not conventional mysteries, they will keep you turning the pages.

2 of 2 people found the following review helpful.
A Return to Fine (Short Fiction) Form
By Rocky Raccoon
Joyce Carol Oates latest collection of short stories, 'Give Me Your Heart,' has everything she does best: suspenseful and urgently written short fiction with characters who are intimately woven into our imaginations and whose inner thoughts and motivations are as vivid as life itself. As the subtitle heralds, these "Tales of Mystery and Suspense" are aptly effective.

From the claustrophobic stalking of the first stories "Give Me Your Heart," "Split/Brain," and "The First Husband," to cliffhangers like "Strip Poker," "Smother," and "Bleeed," she is one of the most gifted short fiction writers since Flannery O'Conner handed down the tradition of violence in works like "A Good Man Is Hard to Find". And, like O'Connor, she makes her mini-tragedies in spare, but insightful strokes of genius.

Even when her stories aren't as suspenseful, her landscapes with struggling protagonists don't disappoint either. Oates leads us through an agonizing life of an exceptional man in "The Spill," a sort of 'Of Mice and Men' in miniature. While "Vena Cava" gives us keen insight into the mind of a recent veteran recovering from Post Traumatic Stress Disorder; "Nowhere" updates elements of "Where Are You Going, Where Have You Been" for a new generation.

Perhaps the best drawn story is "Tetanus" where a case worker's story stretches out from his local New Jersey neighborhood and spreads out to the world as Oates ponders the value of life globally, resurfacing effective imagery of an egg she used so well in her vintage work "In the Region of Ice".

Now I must confess I haven't indulged in as many of Oates' works as one should allow oneself by middle age, but her earlier collections 'The Wheel of Love' and 'Upon the Sweeping Flood,' remain as dear to me as any books of short fiction. In the meantime, my meager readings of 'Black Water' (the only novel I've read by her) and a more recent offering of short stories--whose title escapes me and I can't find anywhere--is distinctive for being less worthwhile (only very good) and features a story about a wealthy man who must reconcile his conscience after he accidentally hits a homeless man with his car.

There is nothing in this collection as good as "Where Are You Going, Where Have You Been?" but her finely honed tales are consistently good and engaging from start to finish.

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