Jumat, 31 Oktober 2014

[L700.Ebook] Download Ebook Human Differences, by Lewis R. Aiken

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Human Differences, by Lewis R. Aiken

This text reviews the mass of information concerning the ways in which individuals and groups differ from each other. Reviews of research findings and interpretations are provided on: physical appearance, performance and health; cognitive abilities; personality; and development across the life span. Extensive treatment of foundations (historical, measurement, research methods, biological, social, and cultural) is also provided. Both normal and abnormal behaviors are considered. The book provides an interdisciplinary focus, including material from all the behavior and natural sciences, not just psychology, sociology, or biology.

  • Sales Rank: #3281725 in eBooks
  • Published on: 2014-04-08
  • Released on: 2014-04-08
  • Format: Kindle eBook

Review

This well-written book will be useful in collections supporting upper-division undergraduate and graduate-level work in all social and behavioral sciences.
—CHOICE

Most helpful customer reviews

0 of 1 people found the following review helpful.
Psychology
By Jes Jones
The book is in excellent condition with no highlighting whatsoever. It was also delivered within a reasonable time frame which was exceptional because I required the text for a class I was taking.

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Selasa, 28 Oktober 2014

[V279.Ebook] Fee Download Soldering Demystified, by Ms. Jeanette K Caines

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Soldering Demystified, by Ms. Jeanette K Caines

Fear of the torch and soldering is often the one thing standing in the way of you making your own beautiful jewelry. It doesn't have to be that way. This book, Soldering Demystified, with over 190 luscious macro color photographs, will solve all of your soldering problems. Most of the soldering advice out there is confusing, incomplete, and too vague. The author has distilled over two decades of testing in the studio to bring you the quickest, easiest and most reliable soldering methods. Stop struggling with soldering and start making your most beautiful and creative work yet. Students will learn: What the process of soldering actually entails. What tools are the most helpful for different types of soldering. The fastest and easiest setups to use while soldering. 3 essential criteria for evaluating soldering methods. Torch myths and realities How to use solder correctly for maximum flow and easiest cleanup. 8 Tutorials with step by step instructions to cover every type of soldering scenario. With Soldering Demystified, soldering frustration and confusion is a thing of the past.

  • Sales Rank: #266784 in Books
  • Published on: 2015-02-24
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.00" h x .29" w x 8.50" l, .90 pounds
  • Binding: Paperback
  • 122 pages

Most helpful customer reviews

16 of 17 people found the following review helpful.
Very easy to read and follow with tons of clear photos ...
By Amazon Customer
Been making jewelry for 12 years and many tips I didn't know. Very easy to read and follow with tons of clear photos to give examples of how to follow the techniques. A gorgeous book full of beautiful jewelry that gives many fine tips on soldering. This book makes a topic that could be deadly boring exciting and interesting and I found it extremely helpful.

11 of 11 people found the following review helpful.
Easy and beautiful
By R. Bello
This is hands down one of the most beautifully designed And easy to follow how-to books I've seen, and it does indeed offer many great tips on soldering. What's special about it is that you have clear (and large) pictures of the steps needed, and lots of inspirational photographs to draw from. I'm so happy to have this book. Not only does it deserve to be in a jewelers library, but it could also sit on my living room coffee table for guests to leaf through!

9 of 9 people found the following review helpful.
The illustrations were beautiful throughout this instructive and artistic book
By N. King
As a former art teacher and writer of curriculum, I was very impressed with Ms. Caines comprehensive writing style. The illustrations were beautiful throughout this instructive and artistic book. I found myself wanting to create and was drawn to her straight forward and easy to understand explanations of materials and methodology. I have had the pleasure of seeing Ms. Caines' work first hand and she is extremely talented. She brings to her craft a true passion for excellence which is conveyed in both her execution and instruction. I highly recommend this beautiful book.

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[G156.Ebook] Ebook Free The Short Story: The Reality of Artifice, by Charles May

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The Short Story: The Reality of Artifice, by Charles May

The short story is one of the most difficult types of prose to write and one of the most pleasurable to read. From Boccaccio's Decameron to The Collected Stories of Reynolds Price, Charles May gives us an understanding of the history and structure of this demanding form of fiction. Beginning with a general history of the genre, he moves on to focus on the nineteenth-century when the modern short story began to come into focus. From there he moves on to later nineteenth-century realism and early twentieth-century formalism and finally to the modern renaissance of the form that shows no signs of abating. A chronology of significant events, works and figures from the genre's history, notes and references and an extensive bibliographic essay with recommended reading round out the volume.

  • Sales Rank: #806664 in Books
  • Brand: Brand: Routledge
  • Published on: 2002-01-04
  • Released on: 2002-01-17
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .41" w x 6.00" l, .54 pounds
  • Binding: Paperback
  • 182 pages
Features
  • Used Book in Good Condition

From Booklist
By a well-known critic of the genre, a general survey of the history and properties of the short story from its genesis in the mist-shrouded early history of literature to its alive-and-kicking state today. This book deserves a place in any public library literature collection because good critical guides to the short story are few and far between, and this one is excellent. Chapter one, appropriately entitled "Overview," reaches back to Boccaccio and Cervantes to find the short story's roots, then succeeding chapters focus on the nineteenth century, when the short story in what we recognize as its modern form began, and move on to the twentieth century, during which it has grown into maturity as a literary form with full integrity. Along the way, May not only discusses important writers but identifies important trends and movements. An appended list of recommended titles wraps up May's edifying presentation. Brad Hooper

Review
"Good critical guides to the short story are few and far between, and this one is excellent."
-"Booklist
"Arguing that short fiction secularizes mythic perception, May provides both an account of generic change and incisive readings of canonical authors and specific stories. One of the book's greatest merits is its concluding bibliographic essay, which will be indispensable to students new to the short story as well as scholars familiar with the field.
--Michael Trussler."
-Ihe Private Voice

From the Back Cover
With The Short Story: The Reality of Artifice, Charles E. May, a foremost authority on the genre, contributes a major effort to examine the history and characteristics of the short story from a critical perspective. Drawing on twenty-five years' experience studying the form, May argues that the development of the short story has always reflected "a tension between the traditional mythic origins of the form and the increasing pressures of modernism to depict 'real life.'" The book commences with an incisive overview, tracing how the conventions of the short story have evolved over time, from the form's origins in myth and folktale through its immersions into romanticism, realism, formalism, and, in the contemporary renaissance, the twin streams of magical realism and hyperrealism. In four core chapters May charts the major periods in the genre's development, along the way delving into the stories of a host of representative writers - among them Hawthorne, Poe, Conrad, Chekhov, Hemingway, Porter, Barthelme, and Carver - and offering close readings that entertain as they inform. An in-depth bibliographic essay surveys the principal criticism devoted to the form, while an annotated list of recommended titles furnishes readers with a useful guide to the primary English, American, and European stories of the nineteenth and twentieth centuries; a detailed chronology sets forth key publication and birth/death dates from the 1340s to the 1990s. A masterfully written yet eminently accessible study, The Short Story: The Reality of Artifice constitutes an important new resource for students, scholars, writers, and the reading public at large.

Most helpful customer reviews

2 of 3 people found the following review helpful.
One of the best scholars on short story theory
By Fl�vio
This is not the first time I read Charles E. May. I had read two other articles from "The New Short Story Theories", edited by himself: "The Nature of Knowledge in Short Fiction" and "Chekhov and the Modern Short Story". Both articles and this book I've just bought are being very useful and helpful in the writings of my master's degree thesis on "The genre problem and the short-short story". Charles E. May is a great scholar on short story theory. He goes deep but is very clear in what he writes. I am very thankful to him.

1 of 3 people found the following review helpful.
Great Book!
By sunsusan
Loved your book!

Your favourite girl, Alice Munro won the Noble Peace Prize today! I am Canadian so, soooooo happy! Loved her stories of regular people and life.

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Senin, 20 Oktober 2014

[V402.Ebook] Download PDF Everything Sucks, But I'm Still Happy, by Ari Eastman

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Everything Sucks, But I'm Still Happy, by Ari Eastman

Always deeply personal and unapologetic in her writing, Eastman has made a habit of inviting strangers into her life. In this collection of her best essays, she shares intimate bits with readers like: losing her father and virginity within 30 days, her ongoing battle with depression, and various lessons in love. Eastman reminds us the strength in vulnerability and how freeing it can be when we finally decide to tell the truth.

  • Sales Rank: #2409484 in Books
  • Published on: 2015-08-14
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .27" w x 5.00" l, .27 pounds
  • Binding: Paperback
  • 106 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
A decent read
By Rachel Del
I had my eye on this book of stories for a little while now, having followed Ari on Thought Catalog and Twitter. I wasn't sure if I wanted to spend $3 when I can read a ton of her work for free. The stories were decent enough, and are typical Ari Eastman. All in all, I guess I'm happy to have supported her in this small way.

0 of 0 people found the following review helpful.
Beautiful
By Lauren
This is a lovely and candid collection of pieces of Ari's life. Page after page I found myself beaming in agreement or fighting tears. This would be a good read for anyone who has feelings. Keep writing, Ari.

0 of 0 people found the following review helpful.
Good read
By Jessica
This was an easy and enjoyable read. I love thought catalogs that are nonfiction and well written; this book falls under that category.

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[S545.Ebook] PDF Ebook Hunger (Penguin Twentieth-Century Classics), by Knut Hamsun

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Hunger (Penguin Twentieth-Century Classics), by Knut Hamsun

One of the first modernist novels

First published in Norway in 1890, Hunger�probes into the depths of consciousness with frightening and gripping power. Like the works of Dostoyevsky, it marks an extraordinary break with Western literary and humanistic traditions.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

  • Sales Rank: #62183 in Books
  • Published on: 1998-02-01
  • Released on: 1998-02-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.80" h x .40" w x 5.10" l,
  • Binding: Paperback
  • 240 pages

Review
'Disturbing and difficult as this nightmarish novel is, it is a work of imaginative brilliance that resonates in our own day.' - Herald

Language Notes
Text: English (translation)
Original Language: Norwegian

About the Author
Nobel Prize winner Knut Hamsun (1858–1952) worked as a laborer in both Scandinavia and America before establishing himself as a successful playwright and novelist.

Sverre Lyngstad, the preeminent scholar of Norwegian literature, is Distinguished Professor Emeritus of English and Comparative Literature at the New Jersey Institute of Technology.

Most helpful customer reviews

130 of 135 people found the following review helpful.
Portrait of the Artist as a Hungry Man
By Scott Spires
This is my second reading of this groundbreaking psychonovel, in the new (and highly commendable) Lyngstad translation. Penguin has published "Hunger" in its Twentieth Century Classics line even though it dates from 1890. I hope this was deliberate, since Hamsun was definitely ahead of his time.
"Hunger" shows a man reduced by his condition to a point where physiological and mental impulses blow him around like a paper in the wind. He entertains grandiose ideas but can't sustain them for more than a few moments. He engages in pointless antics and gives way to spur-of-the-moment impulses. Though he wails and cries, it's clear he enjoys his degradation. He may be the genius he thinks he is, but could equally well be a charlatan. His contacts with other people are minimal and glancing, and only add to his degraded state. You see life as lived from the bottom, in an atmosphere where desperation acts as a kind of drug.
The book is essentially plotless, and is structured almost symphonically, in four parts (or "movements"). I can imagine a bunch of modern creative-writing types, with their Perfectly Plausible Plots and insistence on the Show-Don't-Tell rule, tearing "Hunger" to pieces. No matter: the rambling, the violent mood swings, and the violation of fictional protocols actually give it strength. Next to most of the novels of its time, "Hunger" must have felt like a blow to the face. A sometimes painful but often exhilarating blow.

43 of 44 people found the following review helpful.
I ate it up (tee hee)
By A Customer
"Hunger" is one of those books that most young men probably dream of writing, and which they occasionally manage to pull off. The unnamed narrator stumbles about Christiania (now Oslo), a penniless man of letters, pawning his waistcoat (vest) for a kroner and a half, munching the odd bit of bread, but basically hovering in half-starvation and scheming about brilliant articles that he'll write which will not only enable him to buy food and pay the rent but which will also make his name as one of the best young writers of, etc. etc.
It probably sounds awful. It isn't. It's a masterpiece, if only because there's a curious gap between the experience and the telling of it. The narrator is entirely without self-pity. He never whinges - he curses, he daydreams, he fantasises, but he is always aware of his folly even when he's in the midst of it. This is what gives the book its incredible readability. Everything is portrayed in a crisp, early-morning light, everything is vividly _there_, there's no Holden Caulfield-type nostalgia or sentimental reverie. (During the 1960s, it was made into an incredible film - remarkable for a book which is mostly interior monologue.)
"Hunger" remains a classic not because it was influential or important in the history of the novel, but because it still seems so readable and so true. Hamsun wrote some other books that I'm told are equally good, then declined into mistiness and didacticism, and ended up as a Nazi sympathiser. No matter. This was written in the late 1800s, and is still painfully fresh today, like a shaving cut.
I assume this is Sverre Lyngstad's translation, since he wrote the introduction. I first read the Robert Bly version, but Lyngstad is careful to point out that Bly made hundreds of errors, both great and small. Lyngstad's will be the definitive English version for some time to come.

48 of 52 people found the following review helpful.
Beware of bad translations
By Steven Reynolds
If you're sitting there thinking of buying this wonderful novel, please do - but make sure you're buying Sverre Lyngstad's translation rather than Robert Bly's (or at least take the time to compare them). Bly's version is probably responsible for most of the interest Hamsun's work has generated among English-speaking readers, but, Lyngstad argues, it's also flawed to the extent of about five errors per page. For those interested in the arcane art of translation, these include: misreadings of idiomatic expressions; literal renderings of metaphors; misreadings of tone; misreadings of homophones; grammatical misconceptions; mistaken or arbitrary word meanings; not to mention a completely botched rendering of the urban geography of Oslo. Now I'm no speaker of Norwegian, but I know this: the more subtle and sophisticated a text is - and Hamsun's is both, to a considerable extent - the more tonal, metaphoric and idiomatic errors in translation will matter. Lyngstad argues that his new version corrects these errors and renders the text in an English much closer to Hamsun's nuanced Norwegian original. It's accompanied (in some editions) by a vehement introductory essay exploring the issue of translation in more detail - worth reading in its own right - and a convincing appendix of examples of where his and Bly's versions differ. Lyngstad's version is available through Penguin or Canongate. You can get the Penguin one here at Amazon - ISBN 0141180641 (if you're not already on that book's page). Paul Auster's engaging essay, "The Art of Hunger", sometimes reprinted in the Bly version, is available in Auster's book of the same name and, presumably, in his "Collected Prose" (available now in the UK and Australia, but not in the USA until March 2005). Auster also offers a nice meditation on translation in his novel "The Book of Illusions."

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Selasa, 07 Oktober 2014

[M451.Ebook] PDF Ebook Technical Ekphrasis in Greek and Roman Science and Literature: The Written Machine between Alexandria and Rome, by Courtney Roby

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Technical Ekphrasis in Greek and Roman Science and Literature: The Written Machine between Alexandria and Rome, by Courtney Roby

Ekphrasis is familiar as a rhetorical tool for inducing enargeia, the vivid sense that a reader or listener is actually in the presence of the objects described. This book focuses on the ekphrastic techniques used in ancient Greek and Roman literature to describe technological artifacts. Since the literary discourse on technology extended beyond technical texts, this book explores 'technical ekphrasis' in a wide range of genres, including history, poetry, and philosophy as well as mechanical, scientific, and mathematical works. Technical authors like Philo of Byzantium, Vitruvius, Hero of Alexandria, and Claudius Ptolemy are put into dialogue with close contemporaries in other genres, like Diodorus Siculus, Cicero, Ovid, and Aelius Theon. The treatment of 'technical ekphrasis' here covers the techniques of description, the interaction of verbal and visual elements, the role of instructions, and the balance between describing the artifact's material qualities and the other bodies of knowledge it evokes.

  • Sales Rank: #3819289 in Books
  • Published on: 2016-02-24
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.98" h x .87" w x 5.98" l, .0 pounds
  • Binding: Hardcover
  • 334 pages

About the Author
Courtney Roby is Assistant Professor in the Department of Classics at Cornell University. Her research interests include the literary techniques used in scientific and technical texts from the ancient Mediterranean, the interaction of verbal and visual elements in those texts, and the role of the imagination in ancient scientific discourse.

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Sabtu, 27 September 2014

[Y303.Ebook] Free PDF Bloodlands: Europe Between Hitler and Stalin, by Timothy Snyder

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Bloodlands: Europe Between Hitler and Stalin, by Timothy Snyder

Americans call the Second World War “The Good War.” But before it even began, America’s wartime ally Josef Stalin had killed millions of his own citizens—and kept killing them during and after the war. Before Hitler was finally defeated, he had murdered six million Jews and nearly as many other Europeans. At war’s end, both the German and the Soviet killing sites fell behind the iron curtain, leaving the history of mass killing in darkness.

Bloodlands is a new kind of European history, presenting the mass murders committed by the Nazi and Stalinist regimes as two aspects of a single history, in the time and place where they occurred: between Germany and Russia, when Hitler and Stalin both held power. Assiduously researched, deeply humane, and utterly definitive, Bloodlands will be required reading for anyone seeking to understand the central tragedy of modern history.

  • Sales Rank: #51429 in Books
  • Brand: Basic Books
  • Published on: 2010-10-12
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From Booklist
If there is an explanation for the political killing perpetrated in eastern Europe in the 1930s and 1940s, historian Snyder roots it in agriculture. Stalin wanted to collectivize farmers; Hitler wanted to eliminate them so Germans could colonize the land. The dictators wielded frightening power to advance such fantasies toward reality, and the despots toted up about 14 million corpses between them, so stupefying a figure that Snyder sets himself three goals here: to break down the number into the various actions of murder that comprise it, from liquidation of the kulaks to the final solution; to restore humanity to the victims via surviving testimony to their fates; and to deny Hitler and Stalin any historical justification for their policies, which at the time had legions of supporters and have some even today. Such scope may render Snyder’s project too imposing to casual readers, but it would engage those exposed to the period’s chronology and major interpretive issues, such as the extent to which the Nazi and Soviet systems may be compared. Solid and judicious scholarship for large WWII collections. --Gilbert Taylor

Review
New York Times Book Review “Timothy Snyder…compels us to look squarely at the full range of destruction committed first by Stalin’s regime and then by Hitler’s Reich. Each fashioned a terrifying orgy of deliberate mass killing…. Snyder punctuates his comprehensive and eloquent account with brief glimpses of individual victims, perpetrators and witnesses.” � The New Republic, Editors’ Picks: Best Books of 2010 “Between 1933 and 1945, 14 million people were murdered in Eastern Europe. Bloodlands: Europe Between Hitler and Stalin catalogues how, where, and why these millions died. The cumulative effect makes you reconsider every aspect of modern Europe and World War II. Along the way, Snyder achieves something more vital: he wrests back some human dignity for those who died, without treating them solely as victims.” � Washington Post “Snyder’s research is careful and thorough, his narrative powerful…. By including Soviet with German mass atrocities in his purview, Timothy Snyder begins the necessary but as yet still taboo examination of the full depravity of total war as it was practiced in the 20th century, before the advent of nuclear weapons foreclosed it.” � The Economist, Books of the Year “How Stalin and Hitler enabled each other’s crimes and killed 14m people between the Baltic and the Black Sea. A lifetime’s work by a Yale University historian who deserves to be read and reread.” � The Financial Times “[A] superb and harrowing history…. Snyder presents material that is undeniably fresh – what’s more, it comes from sources in languages with which very few western academics are familiar. The success of Bloodlands really lies in its effective presentation of cold, hard scholarship, which is in abundance.” � Ian Thomson, Telegraph (UK) “In this scrupulously researched history.... Snyder does not argue for a supposed moral equivalence between Hitler’s extermination of the Jews and the earlier Stalinist extermination of the kulaks. On the contrary, the industrial exploitation of corpses and their ashes was a uniquely Hitlerian atrocity—a unique instance of human infamy. Nevertheless, this is the first book in English to explore both German and Soviet mass killings together. As a history of political mass murder, Bloodlands serves to illuminate the political sickness that reduced 14 million people to the status of non-persons.” � Samuel Moyn, The Nation “Snyder is perhaps the most talented younger historian of modern Europe working today. Astonishingly prolific, he grounds his work in authoritative mastery of the facts, mining tomes of information in multiple languages and brilliantly synthesizing his findings. At the very least, Bloodlands is valuable for its astounding narrative integration of a gruesome era of European history…. A preternaturally gifted prose stylist, [Snyder] strives for a moral urgency appropriate to his depressing topics, and he rarely succumbs to bathos…. [B]y any measure Bloodlands is a remarkable, even triumphant accomplishment.” � Istvan Deak, The New Republic “[A] genuinely shattering report on the ideology, the political strategy, and the daily horror of Soviet and Nazi rule in the region that Timothy Snyder calls the bloodlands…. Timothy Snyder did archival research in English, German, Yiddish, Czech, Slovak, Polish, Belorussian, Ukrainian, Russian, and French. His learning is extraordinary. His vivid imagination leads him to see combinations, similarities, and general trends where others would see only chaos and confusion…. This is an important book. I have never seen a book like it.” � The Economist “[G]ripping and comprehensive…. Mr. Snyder’s book is revisionist history of the best kind: in spare, closely argued prose, with meticulous use of statistics, he makes the reader rethink some of the best-known episodes in Europe’s modern history…. Even those who pride themselves on knowing their history will find themselves repeatedly brought up short by his insights, contrasts and comparisons…. Mr. Snyder’s scrupulous and nuanced book steers clear of the sterile, sloganising exchanges about whether Stalin was as bad as Hitler, or whether Soviet mass murder in Ukraine or elsewhere is a moral equivalent of the Nazis’ extermination of the Jews. What it does do, admirably, is to explain and record. Both totalitarian empires turned human beings into statistics, and their deaths into a necessary step towards a better future. Mr. Snyder’s book explains, with sympathy, fairness and insight, how that happened, and to whom.” � Anne Applebaum, New York Review of Books
“[A] brave and original history of mass killing in the twentieth century…. Snyder’s original contribution is to treat all of these episodes—the Ukrainian famine, the Holocaust, Stalin’s mass executions, the planned starvation of Soviet POWs, postwar ethnic cleansing—as different facets of the same phenomenon. Instead of studying Nazi atrocities or Soviet atrocities separately, as many others have done, he looks at them together. Yet Snyder does not exactly compare the two systems either. His intention, rather, is to show that the two systems committed the same kinds of crimes at the same times and in the same places, that they aided and abetted one another, and above all that their interaction with one another led to more mass killing than either might have carried out alone.”

The Wall Street Journal
“The story of World War II, like that of most wars, usually gets told by the victors. Diplomatic and military accounts are set largely in the West and star the morally upright Allies—the U.S., Britain and Soviet Union—in battles against fascism. The Holocaust gets its own separate history, as a case apart in its genocidal intent and human tragedy. Timothy Snyder’s Bloodlands: Europe Between Hitler and Stalin forces a dramatic shift in these perceptions…. Among his other goals in Bloodlands, Mr. Snyder attempts to put the Holocaust in context—to restore it, in a sense, to the history of the wider European conflict. This is a task that no historian can attempt without risking controversy. Yet far from minimizing Jewish suffering, Bloodlands gives a fuller picture of the Nazi killing machine.”

Guardian (London) “[Bloodlands] modifies our view of this appalling period. . . . Snyder insists that the colossal atrocities in his ‘bloodlands’ have to be set inside a single historical frame. To look at them separately – for instance, to see Hitler’s crimes as ‘so great as to stand outside history’, or Stalin’s as a monstrous device to achieve modernisation – is to let the two dictators ‘define their own works for us’. . . .This book’s unforgettable account of the Ukraine famine shows conclusively that Stalin knew what was happening in the countryside and chose to let it run its course. . . . The figures are so huge and so awful that grief could grow numb. But Snyder, who is a noble writer as well as a great researcher, knows that. He asks us not to think in those round numbers.” � The Sunday Times (London) “This is a superb work of scholarship, full of revealing detail, cleverly compiled from a number of previously little-known sources, and in places beautifully written…. He searched hidden archives in five countries and judiciously mined unknown memoirs and diaries. . . . Snyder does justice to the horror of his subject through the power of his storytelling.” � Foreign Affairs “[A] magisterial work…. Snyder’s account is engaging, encyclopedic.” � David Denby, The New Yorker “[A] stunning book…. Certainly, we need to know everything, understand everything, feel everything. Snyder’s book, by making an original account of the period in copious detail laid out in sombrely blunt declarative sentences, should expand these three faculties in anyone who engages its grim but lucid exposition.” � Washington Times “Statistics are an important part of Mr. Snyder’s narrative, but he does not forget that every number was once a human being…. This book is a grim but important read.” � Seattle Times “To us in the West, the horrors of World War II are associated with the names of Auschwitz, Iwo Jima and Hiroshima. Without denying the significance of these places, Snyder, an immensely talented historian at Yale University, radically alters our understanding of the mass murder that went on during these years by showing in convincing fashion where and how most victims met their end. Bloodlands overflows with startling facts and revelations…. In a conclusion that should be required reading for all, Snyder addresses the moral questions raised by this murderous history with insight and recognition of the shades of culpability that make it difficult at times to neatly separate victims from perpetrators. He also shines much-needed light on the dangers of ‘competitive martyrology’ of the recent past, as the nations of the bloodlands have tried to claim greatest victim status.” � Stephen Howe, Independent (UK), Book of the Year “For deliberate mass murder, Hitler and Stalin still stand unsurpassed. Although we have long possessed vast stores of knowledge about their crimes, it may be that we still misunderstand their character and extent—not least because we fail to see how the two great dictatorships interacted. We miss the significance of where, between the mid-1930s and the mid-1940s, the worst horrors took place: Poland, western Russia, and what are now Ukraine, Belarus and the Baltic republics. So argues Timothy Snyder in Bloodlands, which seeks persuasively and movingly to offer a new interpretive framework for the nightmare of Europe’s mid-20th century.” � BBC History Magazine (UK) “A talented historian and an accomplished storyteller, [Snyder] expertly negotiates an extremely complex story, debunking myths, correcting misconceptions and providing context, analysis and human interest in equal measure, always with a sympathetic ear for the victims themselves.... Bloodlands is an excellent, authoritative and imaginative book, which tells the grim story of the greatest human demographic tragedy in European history with exemplary clarity. Snyder set out to give a human face to the many millions of victims of totalitarianism. He has succeeded admirably.” � The Wichita Eagle
“Snyder has written a painstakingly researched book which manages to strike a balance between superb scholarship and gut-churning drama. To say that the horrors depicted in this book demand a strongly gifted storyteller is an understatement. By combing archives, depicting the victims as individuals and not numbers or statistics, and by exposing the interior motives of both Hitler and Stalin, Snyder has produced a unique work, something brand-new, riveting and monumental.”

The Boston Globe
“Part of the freshness of Bloodlands is that it flips around our traditional viewpoint on the Second World War and the years that led up to it: Instead of seeing the conflict from the top down, as a struggle between powers, it begins with the perspective of the victims and those who were closest to the murder.”

Slate “[A] groundbreaking new book about Hitler’s and Stalin’s near-simultaneous genocides…. Certainly one’s understanding of both Stalinism and human nature will be woefully incomplete until one does read Snyder’s pages.” � Adam Hochschild, Harper’s Magazine “[M]eticulously researched…. [A]s a corrective to our usual picture of the period, Bloodlands is immensely valuable…. [A] forceful and important lesson in historical geography.” � Globe & Mail “A must-read for anyone interested in the history of Eastern Europe.” � Michael Savage, New York Times bestselling author and host of The Michael Savage Show “[T]he most definitive book ever written on the atrocities of Hitler and Stalin…It’s one of the most shocking books I have ever read in my life…written by a genius, Timothy Snyder, professor of history at Yale. This is a really amazing book…I thought I’d seen it all, heard it all—I didn’t.” � Adam Kirsch, Tablet “[An] important new history…. One of Snyder’s major achievements in Bloodlands is to preserve this sense of the singularity of Jewish experience, even while showing its complex relationship to the terrible experiences of the peoples among whom Jews lived.... The relationship between Jews and Communism is probably the most explosive of all the subjects Snyder addresses, and here he benefits most from the strengths he shows throughout the book—deep learning, wide compassion, and clear, careful moral judgment.... [A]nyone who wants to fully comprehend the Holocaust—at least, as far as it can be comprehended—should read Bloodlands, which shows how much evil had to be done in order to make the ultimate evil possible.” � National Review Online �“In page after grueling page, Snyder depicts the pogrom that erupted across the Bloodlands. After all these years, after all the histories, there are still details that appall…. In an interesting twist, Snyder reveals how the usual Western understanding of the Holocaust, centered on the almost clinical danse macabre of deportation and eventual extermination in a camp far from Paris, Amsterdam, or Rome, fails to reflect the more typical experience to the east.” � Maclean’s (Toronto) “[A] masterful history…. Snyder forces many of us to change the way we understand the Second World War.” � Booklist “Solid and judicious scholarship.” � Timothy Garton Ash, Professor of European Studies, University of Oxford, and author of The File
“Timothy Snyder has written a nuanced, original and penetrating analysis of Europe’s twentieth century killing fields between Russia and Germany, drawing on many little-known sources. History of a high order, Bloodlands may also point us towards lessons for our own time.”

Kirkus, Starred Review
“A chillingly systematic study of the mass murder mutually perpetrated by the Soviet Union and Nazi Germany…. A significant work of staggering figures and scholarship.”

Professor Norman Davies, F.B.A., author of Europe: A History: “Nearly seventy years after VE-Day, World War Two continues to be perceived through a narrow Western perspective, and many basic problems about the war of 1939-45 remain unresolved. In Bloodlands – which refers to the huge belt of territory between Germany and Russia – Timothy Snyder examines the little known tract of the European continent that was scourged by Stalin as well as Hitler, and reaches some disturbing conclusions.� Combining formidable linguistic and detective skills with a fine sense of impartiality, he tackles vital questions which have deterred less courageous historians: Where and when were the largest casualties inflicted?�� Who were the perpetrators, and which ethnic and national groups were victimized? How can one calculate and verify the numbers?� This is a book which will force its readers to rethink history.” � Christopher R. Browning, Frank Porter Graham Professor of History, University of North Carolina at Chapel Hill: “Historians of Nazi Germany have analyzed Hitler’s war of destruction in the East, Final Solution, and vast racial revolution and colonization project outlined in the Generalplan Ost.� Historians of the Soviet Union have analyzed Stalin’s collectivization, Great Terror, Gulag archipelago, deportation and exile of mistrusted minorities, and rapid sovietization of newly-annexed territories on the western border.� In both cases the focus has been more often on the politics and decision-making of the dictatorships than on the fate of their victims.� The stunning contribution of Tim Snyder’s book is to present a synthetic account by an East European historian in which the focus is on the geographic zone where the lethal policies of Hitler and Stalin interacted, overlapped, and mutually escalated one another.� As Snyder vividly demonstrates, their combined impact on the people living in the ‘bloodlands’ was quite simply the greatest man-made demographic catastrophe and human tragedy in European history.” � Tony Judt, author of Postwar and Ill Fares the Land “For over a decade in the middle of twentieth century, the lands between Russia and Germany were the killing fields of Europe. Tens of millions of civilians from Poland to Ukraine, Lithuania to Belarus were starved, beaten, shot and gassed to death by the authorities and armies of the Soviet Union and Nazi Germany. We think we know this story and we assign it shorthand labels: Auschwitz, the Gulag. But neither the concentration camps (which were mostly not death camps) nor the Soviet network of labor camps in Siberia (from which many survived) were representative of the worst crimes committed in these years. Jews were without question the supreme victim (and in the Nazi case, the dominant target); but there were many other victims with whom western readers are far less familiar. Without a better grasp of the scale and breadth of the suffering experienced in these lands, we cannot hope to appreciate the true impact of the twentieth century. “In his path-breaking and often courageous study of Europe’s ‘bloodlands,’ Tim Snyder shows how very much more complicated the story was. His account of the methods and motives of murderous regimes, both at home and in foreign war, will radically revise our appreciation of the implications of mass extermination in the recent past. Bloodlands – impeccably researched and appropriately sensitive to its volatile material – is the most important book to appear on this subject for decades and will surely become the reference in its field.” � Jewish Book World
“Snyder’s book forces us to framethe Holocaust within a wider landscape ofgenocidal policies by both the Nazis and theSoviets without diminishing the uniquenessof Hitler’s war against the Jews.”

Policy Review �“Surveying a time and subject that has been studied, dramatized, and argued about perhaps more thoroughly than any other in history, Bloodlands is an incredibly original work. It seeks to redirect our understanding of the Holocaust as primarily an eastern phenomenon, and one which took place among a spate of mass killing policies…. With this magisterial book, [Snyder] has rendered the Holocaust, and the horrors that preceded and accompanied it, their rightful place.” � Michigan War Studies Review �“Bloodlands, is in a class of its own, a real blockbuster that profoundly reconfigures our understanding of World War II and the 1930s…. [A] triumph of measured writing and sound judgment…. The story is brilliantly accessible—clear, compelling, lively, and sparkling with insights…. Bloodlands is the perfect companion for the scholar and student of mid-twentieth-century Europe. Accessible and extraordinarily comprehensive, it will be widely read and cited as the standard work.” � Concord Monitor “[A]n important, carefully researched and compelling story, well told…. The numbers and the narrative are gripping. But Snyder's great strength is bringing home the humanity that was being destroyed.” � Deseret Morning News “[Bloodlands] brilliantly examines how government policies in Berlin and Moscow led to unimaginable suffering and death for millions in Eastern Europe…. Throughout Bloodlands, Snyder brings a considerable intelligence to bear as he deftly illustrates the horror and misery of the Nazi and Soviet systems in their quest for social perfection.” � The Jewish Daily Forward “Bloodlands…reassure[s] us that the pursuit of authentic Holocaust consciousness is still flourishing in the scholarly community, with no end in sight.” � The Polish Review “Many books are useful; a handful can be called important; Bloodlands does no less than change the way we think of 20th century history, and of the deadly human cost of the totalitarian utopianism that was among its most distinctive characteristics…. Bloodlands is a wrenching, enlightening, moving, and intellectually challenging examination of the most compelling and painful topic of 20th century history. Few who study it carefully will be able to forget Timothy Snyder’s masterly autopsy of the fourteen million times one human being’s destroyed in the name of the totalitarian dystopia.” � Slavic Review “[A]mbitious…. Bloodlands seeks to fit the Holocaust into an appropriate historical context by examining the struggle between the Third Reich and the USSR from the perspective of the civilian populations caught in between.”



Choice
“[A] popular history of the highest order. Not only does Snyder effectively relate the motivations behind Stalin’s and Hitler’s crimes, but he also exhibits a capable eye for the telling detail. The numerous stories of individuals who suffered in the ‘bloodlands’ humanize the carnage perpetrated in the name of the Stalinist and National Socialist ideologies. This is, perhaps, Snyder’s most noteworthy accomplishment.”

American Diplomacy“[A] brilliant, profoundly unsettling volume…. [Bloodlands is] so tempting to put down because of the tragedies it describes, [but] so impossible to dismiss because of its revelations.”

About the Author
Timothy Snyder is Professor of History at Yale University. He is the author of The Reconstruction of Nations, Sketches from a Secret War, and The Red Prince. He lives in New Haven, Connecticut.

Most helpful customer reviews

460 of 475 people found the following review helpful.
An Eye-Opening Account of the Ethnic & Geographic Impact of Stalin & Hitler
By Richard E. Hegner
Rarely have I encountered a history that is as enlightening and thought-provoking as Snyder's account of the impact of forced starvation, genocide, war, ethnic cleansing, and geographic re-location on the peoples of Poland, Belarus, Ukraine, the Baltic Republics, and the formerly German Reich over the two decades between 1933 and 1953, when Stalin died. Residents of the region of Europe he calls the Bloodlands experienced atrocities of an unprecedented nature and scope in this period. What is especially striking is how many people were victimized multiple times in this relatively brief period--first by the Soviet authorities, then by the Germans, and then again by the Soviets as Stalin and Hitler imposed their insane doctrines on civilian populations.

Snyder is an extremely skillful writer and holds the reader's attention throughout in what could easily have been a dry treatise on the demographic dimensions of human suffering. He skillfully weaves in the gripping stories of individual people caught in the maelstrom, giving a human face to the numbers. I have to disagree with one reviewer who alleges this is just another study of the similarities between Soviet and Nazi totalitarianism; Snyder is careful to compare and contrast these two tyrannical regimes.

This is an engrossing book, but may be a bit too ambitious for people without some familiarity with modern European history. However, it is certainly worth reading and gives valuable new perspectives on the impact of the 30s, World War II, and the Postwar Era on residents of Eastern Europe. I recommend it highly to anyone interested in the history of the period.

261 of 270 people found the following review helpful.
Objective, well-written book about the horrors that occurred
By WryGuy2
"Bloodlands: Europe Between Hitler and Stalin" by Timothy Snyder, is a book about the intentional mass murder of over 14 million people between 1930 and 1947 in a general area that encompasses what is now Poland, Latvia, Lithuania, Estonia, Belarus, Ukraine, and western Russia. And by murder, I mean that. As part of that 14 million number, Mr. Snyder counts only those that were outright killed, intentionally starved, or otherwise were put to death outside of military actions or by being worked to death. If you were to include the deaths that could have been predictably forseen as a result of certain actions taken, that number jumps to between 17 and 21 million people who were killed.

The author breaks the killing periods into 5 general subsets ... Stalin starving the Ukrainian kulaks in 1932-1933, Stalin's Great Terror of 1937-1938, Hitler and Stalin murdering and otherwise removing Polish, Latvian, Lithuanian, and Estonian intelligentsias from 1939-1941, Hitler's murdering the Jewish population and "undesirables" of many countries, intentionally starving Russian POWs and Soviet civilians, and executing civilians as part of partisan reprisals in 1941 - 1945, and people who died as a result of forced resettlements in 1945-1947.

While I've read extensively about World War II, I learned a great deal from this book. As one example, there were no purely death camps in Germany proper, the Germans built those in occupied Poland. While there were concentrations camps in Germany and many of these camps contained extermination chambers, their primary function was as forced-labor camps. Personnel assigned to the labor camps had a slim chance of surviving. There were 6 death, or extermination, camps set up in Poland ... Auschwitz, Chelmno, Belzed, Majdanek, Soribor, and Treblinka. Only Auschwitz and Majdanek had labor camps attached to them, the other 4 existed purely to murder people. Of the people who arrived at the death camps other than Auschwitz (and for a time, Jewish prisoners at Majdanek), they were all usually killed within hours of arrival, and of those sent there, only about 100 people saw the inside of the camp and lived to tell of it. At Auschwitz, new arrivals were separated into those who would be killed immediately, and those who would work in the labor camp until they weakened and then they were killed. The survivor's tales from Auschwitz come from those assigned to the labor camps.

This book attempts, with great success, to show the vast scope of death in the bloodlands, and how Hitler's and Stalin's extermination policies were alike and how they differed. He also shows how the Wehrmacht was much more complicit in atrocities than the German soldiers of the time would have liked you to believe, and how international and allied policies overlooked much of the killing for a variety of reasons.

The book is grim reading, and while it is more of a scholarly study of the depredations of Hitler and Stalin, there are anecdotes contained within that are heartbreaking, such as the Polish-Jewish mother breastfeeding her infant mere seconds before they're shot, and a starving Ukrainian toddler hallucinating that he sees the food that will save his family's lives. It is not a sensationalist text; it calmly, objectively, and concisely discusses the horrors that occurred.

I highly recommend this book. It is the first book I've read that ties so many of the atrocities committed against the helpless into one highly readable and informative tome, and shows them as part of a larger tapestry against the framework of the times.

163 of 174 people found the following review helpful.
Bloodcurdling history
By Geoff Puterbaugh
I would suggest taking a careful look at the Kindle edition of this book (the free sample) before ordering it: I downloaded the sample of this book and quickly discovered that the maps in the Kindle version were almost illegible. The book looked fascinating, and the maps are important, so I ordered the hardbound version instead.
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I have now owned the hardbound edition of this book for a week or two, and, although the book is excellent in every way, my reading progress has been slow because the subject matter is both terrifying and depressing. So far, the book has demolished many of my hazy ideas about what happened in the Bloodlands.

For example, I had a never-closely-examined "picture" of how Hitler killed six million Jews. That would be as follows: he rounded up the Jews living in Germany, took them to concentration camps like Auschwitz, and gassed them. We have all seen the film footage, which makes an indelible impression.

It turns out that my "picture" is completely wrong. Germany simply did not have enough Jews, and a huge number escaped through emigration while it was still allowed. The total of German Jews killed was 175,000. That is (don't mistake my meaning) in itself an incomprehensible, enormous number, but it does not account for six million dead. What Hitler did, in fact, was to conquer Poland (with the connivance of Stalin) and begin massacring Polish and East European Jews. A huge number were simply shot and tossed into unmarked mass graves. There were also "killing camps" (NOT concentration camps) where the average "stay" was just a day or two, and the victims were gassed without any pretense of work whatsoever.

One reason we Americans were slow in understanding the truth is that we (our troops) never even got to the Bloodlands, and so the massive crimes of Hitler and Stalin, amounting to 14 million dead, were simply things that we remained unaware of. I could recite the names of the monstrous killing camps and you most likely would not recognize them --- neither did I.

What we remain ignorant of are horrendous crimes such as Stalin's collectivization drive in the Ukraine, which was an utter failure. Shortly after his wife committed suicide (with a bullet through her heart), Stalin became actively malicious towards the Ukraine, seizing all their grain and selling it abroad, and causing a famine which killed 3.3 million people. This is described in the chapter on "Class Terror."

But then came the show trials and the Great Terror. This time, Stalin went after nationalities which he suspected --- Poles, Ukrainians, Belorussians -- and the Ukraine experienced a second wave of terror-murder, described in the chapter on "National Terror." All of this happened well before World War II, and all of this time Hitler was able to point to Stalin as a horrific example of Bolshevism ("Why You Should Vote for the Nazis").

Very soon, Hitler invaded Poland from the West, and Stalin (after a cautious pause) invaded from the East, and the stage was set for some of the worst crimes in human history. When you realize that Hitler, in annexing "his half" of Poland, had suddenly created a nation with more Slavs than any other nation in the world (aside from the USSR), and when you think of Hitler's lunatic insistence on "racial purity" --- in addition to his initial plan to steal the land of the Slavs, annihilate them, and populate the lands with German farmers --- a genuine shiver of terror runs down your back.

This is a long overdue, magisterial work, which will be a very valuable source for students, teachers, and researchers in the future.

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