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Chocky, by John Wyndham
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In Chocky, pioneering science-fiction master John Wyndham confronts an enigma as strange as anything found in his classic works The Day of the Triffids or The Chrysalids—the mind of a child.
It’s not terribly unusual for a boy to have an imaginary friend, but Matthew’s parents have to agree that his—nicknamed Chocky—is anything but ordinary. Why, Chocky demands to know, are there twenty-four hours in a day? Why are there two sexes? Why can’t Matthew solve his math homework using a logical system like binary code? When the questions Chocky asks become too advanced and, frankly, too odd for teachers to answer, Matthew’s� parents start to wonder if Chocky might be something far stranger than a figment of their son’s imagination.
Chocky, the last novel Wyndham published during his life, is a playful investigation of what being human is all about, delving into such matters as child-rearing, marriage, learning, artistic inspiration—and ending with a surprising and impassioned plea for better human stewardship of the earth.
- Sales Rank: #618648 in Books
- Published on: 2015-08-18
- Released on: 2015-08-18
- Original language: English
- Number of items: 1
- Dimensions: 7.97" h x .37" w x 5.01" l, .0 pounds
- Binding: Paperback
- 176 pages
Review
“Wyndham singlehandedly invented a whole pile of sub-genres of SF. It’s as if . . . in the 1950s he was plugged in to the world’s subconscious fears and articulated them one by one in short, amazingly readable novels.” —Jo Walton, Tor.com
“What John Wyndham does so brilliantly is invest quiet suburban streets with menace. The idea of an alien intelligence inhabiting a child is always frightening. But here Wyndham turns a story of ‘possession’ into a touching fable about our profligate use of the planet.”� —The Telegraph
“Wyndham described the odd rather than the fantastic, the disturbing rather than the horrific, the remarkable rather than the outrageous.” —Christopher Priest
“Remains fresh and disturbing in an entirely unexpected way.” —The Guardian
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Praise for The Chrysalids (NYRB Classics)
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“One of the most thoughtful post-apocalypse novels ever written. Wyndham was a true English visionary, a William Blake with a science doctorate.” — David Mitchell
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“Sometimes you just need a bit of soft-core sci-fi, and Wyndham’s 1950’s classic, newly back in print, fully delivers.” —Thicket Magazine
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“It is quite simply a page-turner, maintaining suspense to the very end and vividly conjuring the circumstances of a crippled and menacing world, and of the fear and sense of betrayal that pervade it. The ending, a salvation of an extremely dubious sort, leaves the reader pondering how truly ephemeral our version of civilization is.” —The Boston Globe
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“[Wyndham] was responsible for a series of eerily terrifying tales of destroyed civilisations; created several of the twentieth century’s most imaginative monsters; and wrote a handful of novels that are rightly regarded as modern classics.”—The Observer
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“Science fiction always tells you more about the present than the future. John Wyndham’s classroom favourite might be set in some desolate landscape still to come, but it is rooted in the concerns of the mid-1950s. Published in 1955, it’s a novel driven by the twin anxieties of the cold war and the atomic bomb...Fifty years on, when our enemy has changed and our fear of nuclear catastrophe has subsided, his analysis of our tribal instinct is as pertinent as ever.”—The Guardian
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“[A]bsolutely and completely brilliant...The Chrysalids is a top-notch piece of sci-fi that should be enjoyed for generations yet to come.”—Ottawa Citizen
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“The Chrysalids is a famous example of 1950s Cold War science fiction, but its portrait of a community driven to authoritarian madness by its overwhelming fear of difference—in this case, of genetic mutations in the aftermath of nuclear war—finds its echoes in every society.”—The Scotsman
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“The Chrysalids comes heart-wrenchingly close to being John Wyndham’s most powerful and profound work.”—SFReview.net
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“Re-Birth (The Chrysalids) was one of the first science fiction novels I read as a youth, and several times tempted me to take a piggy census. Returning to it now, more than 30 years later, I find that I remember vast parts of it with perfect clarity...a book to kindle the joy of reading science fiction.—SciFi.com
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“A remarkably tender story of a post-nuclear childhood...It has, of course, always seemed a classic to most of its three generations of readers...It has become part of a canon of good books.”—The Guardian
About the Author
John Wyndham is the pen name of John Wyndham Parkes Lucas Beynon Harris (1903–1969), the son of an English barrister. The boy’s parents separated when he was eight, and after attending various boarding schools, he lived off family money while trying his hand—unsuccessfully—at careers such as law, commercial illustration, and advertising. In 1924 he turned to writing, and within a number of years he was selling short stories, mostly science fiction, to pulp magazines in America, as John Beynon or John Beynon Harris. During World War II, he served behind the lines in the British army, and in 1951 he published The Day of the Triffids, his first novel as John Wyndham, to tremendous success. Wyndham’s six other novels include The Kraken Wakes and The Midwich Cuckoos, and The Chrysalids (published as an NYRB Classic).
Margaret Atwood is the author of more than forty books of fiction, poetry, and critical essays, including the 2000 Booker Prize–winning The Blind Assassin; Alias Grace, which won the Giller Prize and the Premio Mondello; The Robber Bride, Cat’s Eye, The Handmaid’s Tale, and The Penelopiad. Her latest work is a book of short stories called Stone Mattress: Nine Tales (2014).� Her newest novel, Madd�Addam (2013) is the third in a trilogy comprising The Year of the Flood (2009) and the Giller and Booker Prize–nominated Oryx and Crake (2003). Atwood lives in Toronto with the writer Graeme Gibson.
Most helpful customer reviews
8 of 8 people found the following review helpful.
Wyndham is brilliant, every time he goes out.
By Elsie Wilson
Another triumph by the greatest British science-fiction writer (sorry Aldis, you don't compete; & Clarke is a purely international phenomenon) This is later in his body of work, dating to 1968 (he died in '69), but carries the same authority, the same questions, the same hope for the future as his other works of the second flowering of his talent, that dating from the fifties and sixties, when he wrote as John Wyndham and not Benyon Harris or some other variation from his name. Chocky is, apparently, a being from another planet, star system, galaxy even, who is able to communicate by mind with a young boy ~ the protagonist's son. Naturally, the alien culture, science, technology, civilisation are all well in advance of ours; Chocky's task is to be a teacher, to guide us into a more mature use of the Earth and, especially, x-x-x-x-x ~ a power system based on the interstellar radiation ~ which will enable us to develop properly. Unfortunately, for her task, Chocky becomes emotionally involved where she ought to be detached, and her mission is, this time, a failure. Wyndham's interest is not so much the story, though that is fascinating, but the ideas behind the story, and, more particularly, the questions raised by the suppositions of the plot. What would happen if a child heard a voice from outside itself? Why can mind not be cast across space since, as Chocky points out, it is massless and maybe not subject to the terminal velocity of light? And, though this is a secondary question, can there be points of contact between alien species? Wyndham's answer appears to be that at least one such point might be art, a curious suggestion. � Elsie Wilson, 2002.
13 of 15 people found the following review helpful.
All in the mind?
By Greg Hughes
John Wyndham was a great writer. But you knew that already. "Chocky" was one of his last (and one of his best) books.
The narrator is David. He and his wife Mary are worried parents. Their adopted young son Matthew has developed a habit of talking to himself. Matthew asks strange questions, the kind that children wouldn't normally ask. He becomes good at things in which he previously had no great ability.
And then Matthew mentions Chocky. For David and Mary it looks as if Matthew's "imaginary friend" is growing more and more influential, driving Matthew further away from reality. Matthew is frustrated because Chocky really exists. Chocky is an invisible entity from another planet. She uses Matthew as an interpreter while she studies our planet.
This book was made into a children's programme, and inspired two more spin-offs. "Chocky" is a book about growing up, friendship, and the pain of saying goodbye. The end of the book is particularly touching. This is a book people should read at school.
6 of 6 people found the following review helpful.
A suprising "first contact" story
By TChris
Eleven-year-old Matthew Gore appears to have an inquisitive imaginary friend of uncertain gender named Chocky. Matthew's adoptive parents become concerned when Matthew's teacher reports that Matthew has started doing math in base two instead of base ten. Their concern increases when his art teacher notices a sudden improvement in Matthew's drawing ability. Matthew attributes those newfound skills to Chocky. The question soon becomes whether Chocky is imaginary or whether Matthew is communicating with an internal consciousness separate from his own. Chocky's impact on Matthew's life quickly turns the Gore family's life into a circus. The last portion of the novel resembles a mystery and the conclusion is quite satisfactory.
Chocky is a relatively short novel that lacks the scope and drama of Wyndham's The Day of the Triffids, but it is an enjoyable read in its own right. Matthew's reaction to Chocky and his parents' reaction to Matthew create a believable family dynamic -- particularly with the addition of Matthew's little sister Polly, who adds a note of comic relief. Chocky is a clever and surprisingly credible version of a first contact story, one that nicely balances the ideas that make science fiction worthwhile with the carefully constructed characters that define good literature. I would give Chocky 4 1/2 stars if Amazon made that option available.
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