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End Days, by Deborah Zoe Laufer
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3m, 2f / Comedy / Interior End Days received the 2008 American Theatre Critics Association Steinberg citation. Sixteen year old Rachel Stein is having a bad year. Her father hasn't changed out of his pajamas since 9/11. Her mother has begun a close, personal relationship with Jesus. Her new neightbor, a sixteen-year-old Elvis impersonator, has fallen for her hard. And the Apocolypse is coming Wednesday. Her only hope is that Stephen Hawking will save them all. "The universality of the denouement brings this comedy full circle, leaving us to admire the relevancy of Laufer's humor and wisdom of her message." - Variety "...rapturously funny play about a family trying to survive in a world hurtling toward Armageddon, proves that the right playwright can inspire healing laughter in even the most sobering subjects." - The Miami Herald "...Both poignantly redemptive and often hilariously funny. I hope others will have the opportunity to see this special play. It begs the question of what we would hold most sacred if we knew the end was near. And it brings to life our broad range of choices, including laughter, and the treasured traveling companions who are there even when we face our own personal Armageddon." - Huffington Post "End Days may be about a weirdly dysfunctional family that finds its soul by waiting for the Apocalypse together, but this play has heart: It's engaging, funny as hell and even touching....An exceptional show" - NUVO (Indianapolis) "A manic whirlwind of a family drama as weird and illuminating and truthful as anything likely to be discovered at CERN. End Days is funnier than a great many plays designed solely to induce laughter, and more touching than most plays designed solely to touch...so redolent of the ordinary wishes of real, lonely human beings that, despite the play's atmosphere of general absurdity, it communicates a heartbreaking truthfulness." - Broward-Palm Beach New Times "...thought-provoking, not a little disquieting and seriously, encouragingly funny. Laufer's originality in expressing her ideas is impressive. Highly recommended." - CityBeat Arts and Entertainment "The smartest, most hysterical, laugh-out-loud show you'll see in the theater - ever!...a witty, funny and relevant play." - Martha's Vineyard Plum "End Days directly pits science, religion and suburbia, but it's not an attack on any of them. There's not a trace of mockery in these extraordinary performances, each tinged with compassion, humor and heartbreak. Laufer is clearly a major new voice" - Denver Post
- Sales Rank: #476436 in Books
- Brand: Brand: Samuel French, Inc.
- Published on: 2008-11-25
- Original language: English
- Number of items: 1
- Dimensions: 7.99" h x .18" w x 5.00" l, .23 pounds
- Binding: Paperback
- 88 pages
- Used Book in Good Condition
Review
End Days received the 2008 American Theatre Critics Association Steinberg citation. Sixteen year old Rachel Stein is having a bad year. Her father hasn't changed out of his pajamas since 9/11. Her mother has begun a close, personal relationship with Jesus. Her new neightbor, a sixteen-year-old Elvis impersonator, has fallen for her hard. And the Apocolypse is coming Wednesday. Her only hope is that Stephen Hawking will save them all. "The universality of the denouement brings this comedy full circle, leaving us to admire the relevancy of Laufer's humor and wisdom of her message." - Variety "...rapturously funny play about a family trying to survive in a world hurtling toward Armageddon, proves that the right playwright can inspire healing laughter in even the most sobering subjects." - The Miami Herald "...Both poignantly redemptive and often hilariously funny. I hope others will have the opportunity to see this special play. It begs the question of what we would hold most sacred if we knew the end was near. And it brings to life our broad range of choices, including laughter, and the treasured traveling companions who are there even when we face our own personal Armageddon." - Huffington Post "End Days may be about a weirdly dysfunctional family that finds its soul by waiting for the Apocalypse together, but this play has heart: It's engaging, funny as hell and even touching...An exceptional show" - NUVO (Indianapolis) "A manic whirlwind of a family drama as weird and illuminating and truthful as anything likely to be discovered at CERN. End Days is funnier than a great many plays designed solely to induce laughter, and more touching than most plays designed solely to touch...so redolent of the ordinary wishes of real, lonely human beings that, despite the play's atmosphere of general absurdity, it communicates a heartbreaking truthfulness." - Broward-Palm Beach New Times "...thought-provoking, not a little disquieting and seriously, encouragingly funny. Laufer's originality in expressing her ideas is impressive. Highly recommended." - CityBeat Arts and Entertainment "The smartest, most hysterical, laugh-out-loud show you'll see in the theater - ever!...a witty, funny and relevant play. " - Martha's Vineyard Plum "End Days directly pits science, religion and suburbia, but it's not an attack on any of them. There's not a trace of mockery in these extraordinary performances, each tinged with compassion, humor and heartbreak. Laufer is clearly a major new voice" --Denver Post
From the Inside Flap
In Deborah Zoe Laufer's End Days, a suburban family is undergoing a spiritual crisis following the September 11th attacks. Sylvia Stein has turned to Christianity to save her disaffected husband Arthur and her rebellious teenage daughter Rachel. But as Sylvia races around preparing for the Rapture, Rachel is learning that there are more things in Heaven and Earth than are dreamt of in her philosophy.
An L.A. Theatre Works full-cast performance featuring:
Josh Clark as Jesus and Stephen Hawking
Shannon Cochran as Sylvia Stein
Dane DeHaan as Nelson Steinberg
Arye Gross as Arthur Stein
Kenneth Houston as the Bully
Kate Rylie as Rachel Stein
Directed by Michael Hacket. Recorded at The Invisible Studios, West Hollywood in 2010.
End Days is part of L.A. Theatre Works' Relativity Series featuring science themed plays. Major funding for the Relativity Series is provided by the Alfred P. Sloan Foundation to enhance public understanding of science and technology in the modern world.
About the Author
Shannon Cochran is an actress and director, whose work includes the First National Tour of the Pulitzer Prize winning play "August: Osage County", a film opposite Kathleen Turner called "The Perfect Family", and "Last Days", a radio play for the BBC. She has performed and directed with LA Theatre Works, an organization producing radio plays for NPR, for fifteen years.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Not A Big Fan Of Plays But Enjoyed End Days
By Steven Brandt @ Audiobook-Heaven
What we have here is, I believe, a pretty typical dysfunctional American family, father, mother, daughter, taken to the extreme.
Arthur Stein was a manager at an office in the World Trade Center when the September 11 attacks occurred. Arthur was not at work that day, obviously, but all 65 of the people who worked under him were killed. The story takes place about a year later and Arthur has almost completely shut himself off from the world: rarely leaving the house, not dressing or showering or even eating regularly anymore. His life and his family are slowly leaving him behind.
Sylvia Stein was affected by the tragedy in a much different way. She believes that the end times are near and has turned to God in order to save herself and her family. But during the previous year her religion has begun to edge past fanaticism into something more like cultism. She is now hearing the voice of Jesus, not just in her heart or in her head, but actually out loud, and Jesus has some rather funny conversations with her. Sylvia grows more and more frantic when she believes that Jesus has revealed to her what day the Rapture will occur.
Rachel Stein actually seems to be the most normal member of the family; normal for a teenager that is. That's right, she's a foul-mouthed, pot-smoking goth-girl who is fairly smart but doesn't apply herself She seems to have ruled her father out as any kind of influence in her life, and she has completely rejected the religion that her mother is trying to force on her. After a friend lends her a book written by Stephen Hawking she begins to hear him just like her mother hears Jesus. Their conversations are downright funny sometimes.
It's a family of three all searching desperately for some kind of sense and meaning in a world that continues to have less of both. Instead of pulling together in the crisis they all try their own thing without paying much attention to the others. Then comes Nelson Steinberg who is new at Rachel's school. Nelson is searching for meaning as well but has no direction. He is simultaneously preparing for his bar mitzvah and attending Christian services with the Stein family, soaking up both doctrines eagerly. Add to this the voice of Jesus and the voice of Stephen Hawking, the ultimate atheist, and you've got quite a dynamic going on.
In the end, it doesn't seem like Deborah Zoe Laufer is really trying to say that any member of this group is right or wrong: Christian, atheist, fanatic, shut-in, rebel, or directionless wanderer. Rather, I think she is speaking about the kind of world we live in today: people searching for something whether they know what it is or not and finding it in different places. I won't reveal how this turns out because I want you to give it a listen for yourself, but it was fascinating to see how these people all interacted with each other.
As with all L A Theatre Works productions, End Days features a brilliant and talented cast. Each performer was entirely convincing in his or her role and played well off one another. The full cast includes:
Josh Clark as Jesus and Stephen Hawking
Shannon Cochran as Sylvia Stein
Dane DeHaan as Nelson Steinberg
Arye Gross as Arthur Stein
Kenneth Houston as the Bully
Kate Rylie as Rachel Stein
Directed by Michael Hacket
0 of 0 people found the following review helpful.
I LOVE THIS PLAY
By DZL
I've seen and read it dozens of times. It's just that good. The only thing better than reading it is seeing it. So I recommend doing both. Immediately if not sooner.
0 of 0 people found the following review helpful.
Five Stars
By cam
N I C E NICE
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